Publications
Rawan Almukhtar: No Before or After, The Kunsthalle Wien Preis 2024, English and German, edt. Hannah Marynissen
To Accelerate Time: Reflections on Artmaking in Post-Invasion Iraq, World Records Journal, Volume 8/Article 11, edt. Kareem Estefan, Stefan Tarnawski
Embedded Horizons, Surviving the Long Wars: Creative Rebellion at the Ends of Empire, edt. Aaron Hughes, Ronak K. Kapadia, Therese Quinn, Meranda Roberts, and Amber Zora
Anything You Can Imagine Is Here, The White West: Fascism, Unreason, and the Paradox of Modernity, edt. Ana Teixeira Pinto. Sternberg Press.
What We Are Fighting For, e-flux journal #84. Based on e-flux lecture, Still Riding, Our Desert Storms. Republished on Open Democracy
Beyond Repair: Torture at the Berlin Biennale, Artforum. Translated to Portuguese by Mariana Leme and republished in Revista Rosa
Extraction Rebellion, n+1. Translated to Italian and republished in Internazionale.
Translated to Arabic and republished by Cartography of Darkness
Fire: The Book of Dreams, The Derivative, Issue 03, Beirut Art Center. Guest editor (Fire) with contributions from Sajjad Abbas, Jananne Al-Ani, Rheim Alkadhi, Safaa al Sarray translated by Sinan Antoon, and Omar Dewachi
Data, Camera Austria. Issue 150/15
Embedded Horizons, Theater of Operations: The Gulf Wars 1991-2011, MoMA PS1
Recolonize this Place, e-flux journal #107
Iraq: Reframe, Hello, Goodbye, Hello: The Sally and Don
Lucas Artists Residency Program at the Montalvo Arts Center
On the Closing of Sada for Iraqi Art, Warscapes. Republished in Future Imperfect,
Contemporary Art Practices and Cultural Institutions in the Middle East, edited by Anthony Downey. Sternberg Press
A Coalition of the Willing: How Saudi Arabia and US Arts Institutions Partnered on a Cultural Diplomacy Offensive, Hyperallergic
A Reply to Nato Thompson’s The Insurgents, Part 1, e-flux journal #48.
Response to Platform 4, braaz
It Is What It Is, Jadaliyya
Untitled, Mutannabi Street Starts Here, edt. Beau Beausoleil and Deema Shehabi. PM Press
Rheim Alkadhi, Captive Lover, in Majnoon Field Guide Rheim Alkadhi. Archive Books
Archival Love Letter: Rijin Sahakian, for 6x9 doesn’t fit everything, 2021 by Ali Eyal, part of Unruly Archives. The Blackwood Gallery at the University of Toronto
Michael Rakowitz: Nimrud. Wellin Museum of Art Hamilton College, DelMonico Books
The Scope of the Frontier, Walid Siti
Chronicling of Mountains: Walid Siti, Walid Siti: Silent Mountains. Dohuk Gallery Press
Publications
Rawan Almukhtar: No Before or After, The Kunsthalle Wien Preis 2024, English and German, edt. Hannah Marynissen. 2025
Anything You Can Imagine Is Here, The White West: Fascism, Unreason, and the Paradox of Modernity, edt. Ana Teixeira Pinto, Sternberg Press. 20244
Iraq: Reframe, Hello, Goodbye, Hello: The Sally and Don Lucas Artists Residency Program at the Montalvo Arts Center. 2024
To Accelerate Time: Reflections on Artmaking in Post-Invasion Iraq, World Records Journal, Volume 8/Article 11, edt. Kareem Estefan, Stefan Tarnawski. 2023
Rheim Alkadhi, Captive Lover, in Majnoon Field Guide Rheim Alkadhi, published by Archive Books, 2023
Beyond Repair: Torture at the Berlin Biennale, Artforum. July 29, 2022. Translated to Portuguese by Mariana Leme and republished in Revista Rosa, volume 6, September 26, 2022
Fire: The Book of Dreams, The Derivative, Issue 03. Beirut Art Center. March, 2022. Guest Editor, Fire, with contributions from Sajjad Abbas, Jananne Al-Ani, Rheim Alkadhi, Safaa al Sarray translated by Sinan Antoon, and Omar Dewachi
Archival Love Letter: Rijin Sahakian, for 6x9 doesn’t fit everything, 2021 by Ali Eyal, part of Unruly Archives. The Blackwood Gallery at the University of Toronto, 2021
Becoming Known, Michael Rakowitz: Nimrud. Wellin Museum of Art Hamilton College. 2020
Data, Camera Austria. Issue 150/151, 2020
The Scope of the Frontier, Walid Siti. October 1, 2019
Extraction Rebellion, n+1. November 26, 2019. Translated to Italian and republished in Internazionale, Feburary 21, 2020. Translated to Arabic and repbulished by Cartography of Darkness, July 28, 2023
Embedded Horizons, Theater of Operations: The Gulf Wars 1991-2011. MoMA PS1. 2019
Recolonize this Place, e-flux journal #107. March 2020
A Coalition of the Willing: How Saudi Arabia and US Arts Institutions Partnered on a Cultural Diplomacy Offensive, Hyperallergic. November 1, 2018
What We Are Fighting For, e-flux journal #84. September, 2017. Republished on Open Democracy, September 19, 2017
On the Closing of Sada for Iraqi Art, Warscapes. April 18, 2015. Republished in Future Imperfect,
Contemporary Art Practices and Cultural Institutions in the Middle East, edited by Anthony Downey. Sternberg Press, 2016
A Reply to Nato Thompson’s The Insurgents, Part 1, e-flux journal #48. November, 2013
It Is What It Is, Jadaliyya. February, 2012
Response to Platform 4, Ibraaz. November, 2012
Untitled, Mutannabi Street Starts Here, edt. Beau Beausoleil and Deema Shehabi/ PM Press, 2012
Chronicling of Mountains: Walid Siti, Walid Siti: Silent Mountains. Dohuk Gallery Press, 2010